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Third, and I'm not exactly sure about this so perhaps people could correct me, it's hard to tell as a non-musical person myself, but I suspect it's usually a bad idea to try to write about a fictional band and to describe the music as radical and, well, again with the cool and edgy, and expect readers to take it at face value. And I say that as someone who spent a lot of time, money, and energy in my misspent youth cultivating a fabulous goth wardrobe in the hopes that people would think I was intense and edgy and cool, and of course the reality is much more in the realm of Goth Talk. I had no idea that people over the age of 15 felt this way, ever.

Second, the author seems to take gothiness seriously, as in he believes that adult women who choose to wear goth clothing and make-up have an inherent intensity and edginess and I almost hesitate to say it, also coolness to their characters. That was possibly the most horrific part. First, the dialogue is beyond the pale, it's so clunky. There are A LOT of things wrong with this book. A host of a ghost/horror true story call-in talk radio show starts having his own supernatural experiences.

(#29 in the 2009 Book Challenge)Craziness. As he slowly loses control over his reality and finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio, he’s forced to confront his past and his own mortality in order to repair the crumbling wall between the living and the dead. When Joaquin notices a curious and troubling phenomenon, he is inexplicably drawn further and further into the terrifying stories he solicits on the radio. When a huge radio conglomerate offers to syndicate the show and Ghost Radio becomes a national hit with an expanding legion of hardcore fans, neither Joaquin, Alondra, nor Watts is remotely prepared for what is about to happen. Soon what began as an underground cult sensation is primed to break out to mainstream audiences. He is joined in the booth by his darkly beautiful girlfriend, Alondra, and his engineer, Watts. Joaquin, the hip, melancholy host, sits deep in a fog of cigarette smoke, fielding calls from believers and detractors alike. More than a call-in show to tell scary stories about vampires and poltergeists, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next. The story sticks with you long after you’ve finished the final page.” - James Pattersonįrom the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. “ Ghost Radio reminded me of early Stephen King. In this chilling first novel by filmmaker, composer, and graphic novelist Leopoldo Gout, a ghost story call-in program opens a doorway into the paranormal.

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